The Gleaners (Des glaneuses), Jean-François Millet 04.08 Becoming Boyhood (Richard Linklater, 2014, 165') Spring, Summer, Fall, Winter... and Spring (Kim Ki-duk, 2003, 103') Growing unfolds through repetition. Childhood, seasons, rituals and everyday habits accumulate over time, allowing experience to settle gradually into ways of living. Identity emerges through duration. 05.08 Households Antonia (Marleen Gorris, 1995, 102') One Sings, the Other Doesn't (Agnès Varda, 1977, 1

21.07 Orientation Stereo (David Cronenberg, 1969, 65') PlayTime (Jacques Tati, 1967, 155') At first glance, these films have little in common. Yet both begin with people learning how to inhabit unfamiliar environments. One observes the controlled spaces of scientific research; the other the polished surfaces of post-war modernity. Together they ask how buildings teach us where to stand, when to move and how to belong. 22.07 Moving Through Alphaville (Jean-Luc Godard, 1965, 99

Twittering Machine (Die Zwitscher-Maschine), Paul Klee 07.07 The City and Modern Experience London (Patrick Keiller, 1994, 85') Los Angeles Plays Itself (Thom Andersen, 2003, 169') For Patrick Keiller and Thom Andersen, urban space functions as a vast archive in which architecture, cinema, memory and everyday life continually intersect. Both films proceed through accumulation, assembling observations, quotations and fragments into new constellations of meaning. 08.07 Copies,

30.06 Logistics and The Invisible World Dead Slow Ahead (Mauro Herce, 2015, 74') The Iron Ministry (J.P. Sniadecki, 2014, 82') Labour appears embedded within engineered environments designed for uninterrupted movement. Engines, corridors, compartments and tracks become the true architecture of the present. What is revealed is a world made of passages. 01.07 Public Space and Drift People's Park (Libbie Dina Cohn & J.P. Sniadecki, 2012, 78') Castro (Alejo Moguillansky, 2009, 85